The
cold weather in Seattle continues, and the resulting finger rictus during
airbrushing is ongoing as well. But it didn't prevent me from enduring a
(quick) session last night. There is a Wellington approaching its final stages,
but the exhaust pipes and collector rings needed painting. For this I typically
use Alclad Light Burnt Metal. I'm not sure if the "bronze" color
callout that was on all Airfix kits of the 70s and 80s is an error or just a
myth that has taken on a life of its own, but I've never really thought that
was an adequate choice for British collector rings or anyone's exhausts. Now,
the burnt metal color may not be perfect either - something that gets a lot of
engine exhaust would likely have a darker look, at least in places - but I
think it makes a nice visual compromise. Evaluate for yourself, based on the
following photo.
The
only other color I shot was a bit of RLM04 Gelb, for the cowl, rudder, and prop
spinner of the captured P-47 "Beetle" that is underway. But it
highlighted an interesting problem, very similar to what happened the last time
I had the airbrush out. The paint in the tin was uncommonly lumpy and thick;
the only difference is that I discovered that before I ever got it into the
paint cup and therefore didn't have to go through a panicked field strip and
cleaning.
But it
brings up a worrisome point. Now that I am no longer able to order Xtracolour
paints from Hannants (due to Royal Mail restrictions), is the paint I have
starting to age to the point where it is becoming chemically unstable and will
be useless before much longer? I have no clue when I bought this particular tin
of RLM04, though it probably at least 4-5 years old. Possibly much more. More
as this issue develops.
At
least I was able to get some satin topcoat from a LHS today. This should
free up the logjam of completed models and allow me to get them posted in the
blog. Here is a photo of the work done in the freezer last night.
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